Coonoor Logo

Newsletter

Be a part of the Coonoor & Co experience, and bring the aura of the mountains and the pace of slow living into your inbox, and your heart.

Shop

THE TODA HEIRLOOM COLLECTIONNILGIRI FLORA: THREE FLOWERSTODA HOME TEXTILESSOUL OF THE NILGIRISSCENTGIFTING & ACCESSORIES

Journal

PAUSEREADIMBIBECONNECTIN THE NILGIRIS

Support

DELIVERY & RETURNSTERMS & CONDITIONSPRIVACY POLICYISSUESBLOGS

Connect

INSTAGRAMFACEBOOKPINTERESTSTUDIO VISIThello@coonoorandco.com+91 72045 87711

Coonoor&Co® | ©Mishpuum Studio Pvt Ltd. | All Rights Reserved 2026

ImbibeIssue 2

A Tale of Two Birds and Tulu Mushroom GassiA Tale Of Two Birds & Tulu Mushroom Gassi

07 August 2022
WORDS BYSaritha Hegde
PHOTOGRAPHY BYRamya Reddy
Image of mushroom in kitchen
My memories of the monsoon are mostly associated with my matrilineal ancestral home around 25 kilometres from Mangalore, a manor called Yelathuru Guthu. Every summer vacation, we would take the train from wherever my father was posted, working for the Indian Army. Sometimes, the journey was very long. Like all the way from Assam, in the 80’s. Sometimes, it meant overnight bus journeys. It always meant adding everyone – matrilineal Guthu houses are joint families with many kitchens; we would, as children, have access to all and would be fed by all too – into the Ambassador taxi for the last two miles. It didn’t matter if there was space or not, they would be accommodated, along with their shopping from the main town, Kinnigoli.

First, the memory of the intense heat. Then, the rain. Buckets of it pouring down. When there was a respite from the rain, we would go mushroom foraging. There were many types that would come and go. We children, to keep us from getting into trouble, would be taken on a hunt for what was seasonal and aplenty. These holidays meant a lot of freedom and the pleasure of being in nature, and most importantly for me, getting to eat all the food.

I was an avid reader from a young age (a genetic problem), and my interest was in two things. One: the stories we were told at home, especially by the eldest child among us who was held responsible for our outdoor adventures, which in hindsight had a simple moral lesson. Two: anything to do with food.
Mushroom image
This story, then, is about parel laamb. Laamb, in my native language Tulu, simply means “mushroom”. Parel, on the other hand, is much more difficult to translate. Loosely, it means “a pearl”, or as my mother the poet says, “It’s like the slow unfurling of the parijata flower. And as short lived. It’s only available for 3 days a year and fades quickly.”

We would go traipsing off in our korambus (a raincoat made of bamboo and leaves, originally used by people working in paddy fields through the rain). They would be too big for us. Often, a teenager would be sent to lead the parel laamb foraging pack. While we were foraging, this story would be recounted by the teenager, to make sure we didn’t stray and were within hearing distance.

The story is about two bird brothers. Bagga pakshis, as they are known in Tulu (“bagga” is the name of the species, which I’ve been told is the Indian cuckoo but I am not sure, and “pakshi” means “bird”). Younger Bagga brother went on a parel laamb hunt and brought back a poodai (big basket) of laamb. Elder Bagga brother cooked the mushrooms into a gassi (a curry). After working in the fields, the younger brother sat down on the mane (a wooden short stool), ready to eat. When he saw the quantity of the parel laamb gassi, the younger brother was enraged. He was convinced that his brother had eaten most of it. It didn’t make sense that there was so little when he had gotten a huge poodai of mushrooms.

Younger Bagga takes the mane and hits his brother. His brother dies. The next day, he goes to get more parel laamb. He brings back an even bigger poodai. He makes the gassi himself. When he is done, there is very little in the pan. Full of remorse, he kills himself, and as he does, he sings: “Anne papa, megge pope… (elder brother is innocent, younger brother will go too).”

To this day, we can hear the Bagga bird singing this tune. Every monsoon.
article image
article image

Here is how you can make mushroom gassi too:

  • Two packs of mushroom (oyster and button)
  • 2 tablespoons versatile spice mix
  • 6 tablespoons grated fresh coconut
  • ½ onion
  • 4 pods garlic
  • 2 teaspoons rock salt
For tempering:
  • 2 tablespoons coconut oil
  • ½ teaspoon mustard seeds
  • ¼ onion (finely diced)
  • Curry leaves

Grind all the ingredients – except the mushrooms and the tempering ingredients – to a fine paste. A really fine paste.

On a claypot, add water and bring the gravy to a boil. Add the mushrooms once it starts boiling. Let the mushrooms cook.

Take the coconut oil in a small wok. Heat. Add the mustard seeds, then the onions. Once the onions turn brown, add the curry leaves. Add this tempering to the gassi.
Serve. And remember: do not judge in haste, lest you regret. And walk a mile in their shoes before you do!
Previous Story
PREVIOUS STORY
Writing About The End of The World, One Flower At A Time
Next Story
NEXT STORY
The Road Rose To Meet Me: A Conversation With Dr. Deenaz Damania
SHARE:
Twitter•Facebook•
SHARE:
Twitter•Facebook•
Previous Story
PREVIOUS STORY
Writing About The End of The World, One Flower At A Time
Next Story
NEXT STORY
The Road Rose To Meet Me: A Conversation With Dr. Deenaz Damania
author

Saritha Hegde

INSTAGRAM
In her previous life Saritha was senior vice president at Li & Fung. After a long career in the corporate world and in the fashion business, and despite many prospects to move up the ladder, she retired early. With no plans in mind, she travelled the world in pursuit of her passions - those who know her, know that this included food. In June 2020, these experiences carried her into her current role as a chief alchemist of a culinary business, Not Just Hot, that she launched during the pandemic!
author

Ramya Reddy

Instagram
Ramya is a visual storyteller, photographer, author, and entrepreneur. Her acclaimed book, "Soul of the Nilgiris: A Journey through the Mountains" explores the UNESCO-recognized Blue Mountains and its indigenous communities, highlighting their cultural and ecological richness through narratives, writings, and photographs. Deeply engaged in the Nilgiris, Ramya works closely with the Toda artisans to ensure their GI-tagged art form is preserved, celebrated, and integrated into the contemporary landscape.

If this stayed with you, 
you may enjoy our monthly letters.

You may also like

Infinite Hearth
Imbibe•Issue 10

Infinite Hearth

BY Nishi Chawla

Home Beyond the Door
Imbibe•Issue 10

Home Beyond the Door

BY Jennifer Nandi

Of Letter Boxes, Boxes and Forest Homes
Imbibe•Issue 10

Of Letter Boxes, Boxes and Forest Homes

BY K Srilata

In the Shade of My Grandfather’s Tree
Imbibe•Issue 10

In the Shade of My Grandfather’s Tree

BY Hoihnu Hauzel

Under the Skin of Silence
Imbibe•Issue 9

Under the Skin of Silence

BY Krittika Sharma

Co-Becoming: The Human-Dog Kinship
Imbibe•Issue 8

Co-Becoming: The Human-Dog Kinship

BY Sindhoor Pangal

All Roads Lead to Home: Arundhathi Subramaniam on Homecoming
Imbibe•Issue 10

All Roads Lead to Home: Arundhathi Subramaniam on Homecoming

BY Arundhathi Subramaniam, Ashna Ashesh

How Stories Arrive: Geeta Ramanujam on Listening
Imbibe•Issue 9

How Stories Arrive: Geeta Ramanujam on Listening

BY Ramya Reddy, Rupali Goel

Infinite Hearth
Imbibe•Issue 10

Infinite Hearth

BY Nishi Chawla

Home Beyond the Door
Imbibe•Issue 10

Home Beyond the Door

BY Jennifer Nandi

Of Letter Boxes, Boxes and Forest Homes
Imbibe•Issue 10

Of Letter Boxes, Boxes and Forest Homes

BY K Srilata

In the Shade of My Grandfather’s Tree
Imbibe•Issue 10

In the Shade of My Grandfather’s Tree

BY Hoihnu Hauzel

Under the Skin of Silence
Imbibe•Issue 9

Under the Skin of Silence

BY Krittika Sharma

Co-Becoming: The Human-Dog Kinship
Imbibe•Issue 8

Co-Becoming: The Human-Dog Kinship

BY Sindhoor Pangal

All Roads Lead to Home: Arundhathi Subramaniam on Homecoming
Imbibe•Issue 10

All Roads Lead to Home: Arundhathi Subramaniam on Homecoming

BY Arundhathi Subramaniam, Ashna Ashesh

How Stories Arrive: Geeta Ramanujam on Listening
Imbibe•Issue 9

How Stories Arrive: Geeta Ramanujam on Listening

BY Ramya Reddy, Rupali Goel

Discover objects from Coonoor & Co